It picks up the crack and the thump of the snare and if you angle it right, it won’t pick up too much hats or kick drum.Īn AKG D112 on the kick – again, this is one of 3 or 4 mics that everyone uses on a kick drum. It’s an approach I’ve always enjoyed in Steve Jordan’s recordings – minimal setup and always choose the right sounds.Ī pair of Coles ribbon mics for overheads – they sound great on pretty much everything, have a fantastic dynamic range and sound warm and clear without ever getting glassy or harsh.Ī Shure SM57 on the snare – this is a classic choice. Again, I’ll use different cymbals depending on the track, but I tend to keep it to just three.
#Jake one snare jordan drum kits plus#
I find with a really stripped back setup, I can use a variety of overhead patterns and they all sound good – plus there’s less high frequency information ringing out which can conflict and bleed into the kit mics. Producers and mixers often compliment me on the sounds I get – and a lot of it is just about not allowing anything you don’t like the sound of to slip through the net. Whether it’s gel pads, using gaffer tape, putting a cushion under your floor tom, using a ring on your snare – there are lots of little changes that you can make before you start recording that mean you’re capturing a good kit sound. Look for resonance, rattles – any sound that you don’t like, find ways to kill it. It sounds obvious, but make sure your kit is properly tuned. If I’m going for a vintage vibe, I use a 60’s 402, but I also have a Black Beauty for more modern tracks… and a few fun things, like the Sonor Jungle snare, for when I want a totally different vibe. I find a different snare can transform the vibe of the kit and certain songs need really specific things. I’m using a 1968 Ludwig kit with a mix of Ludwig Snares. All of the mics and the plug-ins and the mixing techniques come after you get that acoustic sound.
If you think of music like a meal, your instrument is the ingredients. Peep DJ Manipulator's '15 Mins of Madness II' featuring Drums from Snare Jordan Vol.For me, this is the centre of everything – it’s usually the core of your problems, and the source of most of your solutions. As with anything Jake touches, this is sure to be another Classic! These samples are straight out of Jake's ASR-10, EQ'd on an SSL Console, and packaged for your beat making pleasure.ĭon't sleep on Snare Jordan. Snare Jordan features over 100 drum samples from Jake One's personal drum stash and timeless classics including: The Drum Broker is proud to announce Jake One's Official Drum Kit, Snare Jordan. Jake One's signature sound is defined by his amazing drum selection, sample chopping skills, and head banging arrangements. Outside of the G-Unit Camp Jake One has produced for an array of industry heavyweights including TI, Snoop, Brother Ali, E-40, 50 Cent, Llloyd Banks, Freeway, De La Soul, Evidence, Boot Camp Click, and Slug just to touch the tip of the iceberg. As part of G-Unit's in house production team and producing handful of indie classics, Jake One quickly became an industry "go to" producer.
Jake One's has a reputation for being one of the most prolific hip hop producers during the last decade.
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